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We are a group of students from
Emory University
.
We watch films not merely for their endings,
but for the moments that hesitate--
a camera that refuses to move,
a piece of music that vanishes without warning,
a detail so small it almost escapes notice,
yet quietly reshapes what we feel.
We are drawn to analysis, but never stop at the film alone.
From cinema, we drift toward memory and identity,
desire and power,
toward questions that seem strange at first glance,
and intimate once they are allowed to linger.
Email: yilan.zhang@emory.edu
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The Salt the Wind Left Behind A reflection on Ashes of Time: Redux
The Salt the Wind Left Behind A reflection on Ashes of Time: Redux
The wind at Ouyang Feng's White Camel Mountain carries sand all year long, like all the words he never said, wearing down the cliff face day after day. He always believed himself to be different. ...
Catherine Zhang
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Why Is Not Kant a Moral Realist?—A Study of Autonomy
再论康德关于伦理与道德的区分及其意义
Q&A:如果电车难题只是《楚门的世界》,不同导演会怎么拍?
A:“如果用贾樟柯的镜头:长镜头;电车从县城边缘缓慢驶入;焦点落在铁轨旁一只生锈的玩具上。”尘土先于火车抵达,铁锈比选择更清晰。牺牲不再是概念,它沾上了日常生活的砂砾。失去变得有重量,因为它看起来像是这个世界遗忘过的东西。“如果用王家卫的镜头:慢动作;雨水聚在扳道工的手表上;一首慵懒的拉丁歌响起。”时间被拉长成一种温柔的悬置。开关迟迟不落下,像命运在推迟宣判。音乐既轻盈又残酷:它把决定拍得美...
《一战再战》:记不住的暗号,是中年对青春最狠的讽刺
“电影想象力消费”入选2025年度“人文学科十大学术热点”
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Email us: yilan.zhang@emory.edu
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